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Literature Text
There is a family down the street with six children. Or, at least, Gray and I count six from our window. We watch them wheel in circles in the street. The windows are closed, but I can hear their squealing from here. It is a noise we both have grown unaccustomed to.
Gray says that if he looked away, he would be unable to tell if they were squealing in joy or distress. Just like piglets, I say.
How uncharitable, he remarks.
And now you know why I don't want any, I say.
We continue watching, because the chores are done and the housemates are gone and there is nothing better to do, and it has been a long time since we last watched children play in the street. I ask Gray how long it has been, and he says it has been at least six years. I comment that time sure flies, and he agrees, though he comments also on the cliche.
Another child squeals. I look and deduce that it was from joy. At least it's better than silence, I say.
I tell Gray that even if I do not have children of my own, I would like to live in a neighborhood of children. I would be the strange old lady with a cat and two dogs and no family and a house full of books and paintings of people who are not related to me. I would be the old lady who bakes cookies on the weekends and makes tea with honey and too much sugar, who invites the children in the street to cookies and tea and stories of the sun on faraway seas, stories that only she knows are true.
Gray listens attentively. Only, I add, inevitably I will bake peanut butter cookies, and there will be a child who is allergic to peanut butter who will eat one of my peanut butter cookies, despite all warnings, and they will get hives all over and probably die. Or if not peanut butter, it will be chocolate, and if not chocolate, then it will be gluten or milk or soy, and if it is none of those, then there will be no children at all, since no one will bother coming to listen to my stories if the cookies are bland.
You don't trust in your stories? asks Gray.
Don't you remember the receptions back at campus? I ask Gray. People always come for the food, not the speaker.
That is a blanket statement, he says.
It is, I say, but I am no Rowling, regardless.
We return to watching the children. I wouldn't want to be Rowling, anyway, I say. Publicity's a bitch.
That I can agree with, he says.
And people are sick of wizards, I add. There is a car in the road and the children are racing to the driveway. Maybe it won't matter in the long run, I say.
How so? he asks.
Perhaps by the time I am old, there will no longer be allergies. Or perhaps I will never be old.
In more ways than one, he says.
Nah, in one way.
You think too much.
Gray says that if he looked away, he would be unable to tell if they were squealing in joy or distress. Just like piglets, I say.
How uncharitable, he remarks.
And now you know why I don't want any, I say.
We continue watching, because the chores are done and the housemates are gone and there is nothing better to do, and it has been a long time since we last watched children play in the street. I ask Gray how long it has been, and he says it has been at least six years. I comment that time sure flies, and he agrees, though he comments also on the cliche.
Another child squeals. I look and deduce that it was from joy. At least it's better than silence, I say.
I tell Gray that even if I do not have children of my own, I would like to live in a neighborhood of children. I would be the strange old lady with a cat and two dogs and no family and a house full of books and paintings of people who are not related to me. I would be the old lady who bakes cookies on the weekends and makes tea with honey and too much sugar, who invites the children in the street to cookies and tea and stories of the sun on faraway seas, stories that only she knows are true.
Gray listens attentively. Only, I add, inevitably I will bake peanut butter cookies, and there will be a child who is allergic to peanut butter who will eat one of my peanut butter cookies, despite all warnings, and they will get hives all over and probably die. Or if not peanut butter, it will be chocolate, and if not chocolate, then it will be gluten or milk or soy, and if it is none of those, then there will be no children at all, since no one will bother coming to listen to my stories if the cookies are bland.
You don't trust in your stories? asks Gray.
Don't you remember the receptions back at campus? I ask Gray. People always come for the food, not the speaker.
That is a blanket statement, he says.
It is, I say, but I am no Rowling, regardless.
We return to watching the children. I wouldn't want to be Rowling, anyway, I say. Publicity's a bitch.
That I can agree with, he says.
And people are sick of wizards, I add. There is a car in the road and the children are racing to the driveway. Maybe it won't matter in the long run, I say.
How so? he asks.
Perhaps by the time I am old, there will no longer be allergies. Or perhaps I will never be old.
In more ways than one, he says.
Nah, in one way.
You think too much.
Literature
the world doesn't need beauty sleep
mother earth is pregnant;
her curves yawn -
molasses stretches of dark,
dank night freckled with
streetlights sparkling.
i yearn to rest in the cradle
that the small of her back
has become.
the roads untangle like
veins unto her skin
after being held so long
in the fist of pre-dawn.
drunk in slumber, red-eyed,
beautiful - morning will
come yet, the small child
born in the rafters of
catastrophe, aching;
but before her date,
mother earth shifts in her sleep,
love settling in the wing
of her hip -
exhaustion dilutes her blood,
consciousness touches her golden
shoulder on his way out the door.
Literature
They say the one who prays
They say the one who prays receives much more
than whom we pray for, shaping what we want
to what we get. We find a way to pour
the outcomes into candle molds we can't
have fashioned for ourselves. But then we light
the wax and sniff the scent and call us blessed
by blessings in disguise. For what is right
in contexts so complex we cannot test?
For those who say that praying contradicts
free will or undercuts the will to change
injustice, fine. You have no wax, no wicks,
no blessing and no curse, you are the sage.
I pray to sculpt the candle and the mold
and scent with pity earth and heaven's hold.
Literature
someone left their life on the bus
And you struggle with your conscience, but in the end you have to let it go.
Erase your face. Scratch it off. Dig your nails right up underneath your jaw, bury them, gouge it out. This familiarity; rip it off.
We grow here too fast, kids with fifty-year old eyes who talk like old women, who smoke and drink and work and wear sandpaper hands and swear like we know what fuck means before it makes sense. Here's skin and bone and lips and teeth, all the colours of mud. We're soil and dirt and layers of grime. We're filth. We grow stupid, stuck underneath a starless sky, staring up, pretending we remember what it was to be human. Everythin
Suggested Collections
This one needs more. Something.
At this rate, I'm probably not going to be able to upload everything by the end of the month, but I should be able to keep going more regularly, now.
About: For my Camp NaNoWriMo project this month, I'm not trying for a word count--rather, I'm hoping to write thirty at-least-semi-coherent flash fictions with an at-least-semi-coherent common thread, collectively titled Cycles of Calm.
I plan on posting the more readable drafts to my account under a separate folder specifically for Camp NaNoWriMo. A few things of note:
All of these postings are drafts. I am allowing myself to break the golden rule of NaNo and edit my work as I go (including -gasp- deleting words), but I still consider them to be in a rough, unfinished state--as such, I am not looking for critique on my NaNo work. Hopefully, I'll be able to revisit each of my NaNo stories after the event ends and finish polishing them, in which case they will then be open to critique.
Why am I posting these if I consider them unfinished? Motivation, partially--a log of sorts for myself, and another way to hold myself accountable if I don't keep up with my goal. I'm also posting them in hopes that someone will find the contrasts between the drafts and the polished pieces interesting.
About Camp NaNoWriMo and NaNoWriMo
--
Day 11: Celebration
Archive for Cycles of Calm
At this rate, I'm probably not going to be able to upload everything by the end of the month, but I should be able to keep going more regularly, now.
About: For my Camp NaNoWriMo project this month, I'm not trying for a word count--rather, I'm hoping to write thirty at-least-semi-coherent flash fictions with an at-least-semi-coherent common thread, collectively titled Cycles of Calm.
I plan on posting the more readable drafts to my account under a separate folder specifically for Camp NaNoWriMo. A few things of note:
All of these postings are drafts. I am allowing myself to break the golden rule of NaNo and edit my work as I go (including -gasp- deleting words), but I still consider them to be in a rough, unfinished state--as such, I am not looking for critique on my NaNo work. Hopefully, I'll be able to revisit each of my NaNo stories after the event ends and finish polishing them, in which case they will then be open to critique.
Why am I posting these if I consider them unfinished? Motivation, partially--a log of sorts for myself, and another way to hold myself accountable if I don't keep up with my goal. I'm also posting them in hopes that someone will find the contrasts between the drafts and the polished pieces interesting.
About Camp NaNoWriMo and NaNoWriMo
--
Day 11: Celebration
Archive for Cycles of Calm
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