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Literature Text
She remembers a conversation she had with Gray that still makes her sigh.
Many summers ago, he was waiting for her when she walked outside, leaving the house empty. Not going to call Angela and the others today? he asked as they began walking down the street.
Nope, she said. You're more interesting to talk to, and she has soccer practice.
I don't know how to feel about your word order, he responded. She laughed.
They continued down the block and came to a large fountain, with a base big across as a living room and a jet the height of a ceiling. They say that you can see a huge rainbow when the sunlight hits this fountain at the right angle, she said. They walked around the fountain, twice, but saw no rainbows. Screw you too, she told the fountain. She picked up a pebble and tossed it at the fountain. It plinked into the water, like a coin, and sunk.
Why did you do that? he asked. It's not the fountain's fault.
I know, she said, and sat down on the fountain's rim. He sat on a bench nearby. There was also a street nearby, a big one with four lanes and a low pavement island in the center. People were walking across it, despite a Do Not Cross Here sign, a marked crosswalk less than a quarter of a block nearby, and incoming traffic.
Most people who live here are doctors, correct? he asked.
Yes indeed, she said. Another pedestrian reached the central island, looked both ways, then dashed across the last two lanes right as a car barreled by. Doctors and researchers.
Ah, he said.
It's because they have wizard powers, she said. If they get hit, they can just sew themselves back up, right there in the street, and keep going like nothing happened. And the researchers have wizard cells they keep in their back pocket--they put them on their injuries and next thing you know, they're fixed up and good as new.
I see, he said.
They sat quietly, watching doctors and researchers trickle, unafraid, across the street. I'm going to go to college one day and become a doctor, because that's what girls do, she said. And then I'll have my own wizard powers, and I'll jaywalk across streets and not give half-a-rat if I get hit, because I can sew myself up again if I do.
Promise me you'll at least try not to get hit, he said.
Mmm, she said. He gave her a look. Okay. I promise, she said. It would hurt, anyway. She leaned back. balancing herself over the water, head tilted back to take in the gleaming windows of the hospitals and research buildings. I wonder what it'd be like to wake up underwater, she said. Just to open your eyes, and see all the fish staring back at you.
It wouldn't be anywhere as pleasant as you make it sound, he said.
I know, she said, and leaned forward again. I know.
Many summers ago, he was waiting for her when she walked outside, leaving the house empty. Not going to call Angela and the others today? he asked as they began walking down the street.
Nope, she said. You're more interesting to talk to, and she has soccer practice.
I don't know how to feel about your word order, he responded. She laughed.
They continued down the block and came to a large fountain, with a base big across as a living room and a jet the height of a ceiling. They say that you can see a huge rainbow when the sunlight hits this fountain at the right angle, she said. They walked around the fountain, twice, but saw no rainbows. Screw you too, she told the fountain. She picked up a pebble and tossed it at the fountain. It plinked into the water, like a coin, and sunk.
Why did you do that? he asked. It's not the fountain's fault.
I know, she said, and sat down on the fountain's rim. He sat on a bench nearby. There was also a street nearby, a big one with four lanes and a low pavement island in the center. People were walking across it, despite a Do Not Cross Here sign, a marked crosswalk less than a quarter of a block nearby, and incoming traffic.
Most people who live here are doctors, correct? he asked.
Yes indeed, she said. Another pedestrian reached the central island, looked both ways, then dashed across the last two lanes right as a car barreled by. Doctors and researchers.
Ah, he said.
It's because they have wizard powers, she said. If they get hit, they can just sew themselves back up, right there in the street, and keep going like nothing happened. And the researchers have wizard cells they keep in their back pocket--they put them on their injuries and next thing you know, they're fixed up and good as new.
I see, he said.
They sat quietly, watching doctors and researchers trickle, unafraid, across the street. I'm going to go to college one day and become a doctor, because that's what girls do, she said. And then I'll have my own wizard powers, and I'll jaywalk across streets and not give half-a-rat if I get hit, because I can sew myself up again if I do.
Promise me you'll at least try not to get hit, he said.
Mmm, she said. He gave her a look. Okay. I promise, she said. It would hurt, anyway. She leaned back. balancing herself over the water, head tilted back to take in the gleaming windows of the hospitals and research buildings. I wonder what it'd be like to wake up underwater, she said. Just to open your eyes, and see all the fish staring back at you.
It wouldn't be anywhere as pleasant as you make it sound, he said.
I know, she said, and leaned forward again. I know.
Literature
the world doesn't need beauty sleep
mother earth is pregnant;
her curves yawn -
molasses stretches of dark,
dank night freckled with
streetlights sparkling.
i yearn to rest in the cradle
that the small of her back
has become.
the roads untangle like
veins unto her skin
after being held so long
in the fist of pre-dawn.
drunk in slumber, red-eyed,
beautiful - morning will
come yet, the small child
born in the rafters of
catastrophe, aching;
but before her date,
mother earth shifts in her sleep,
love settling in the wing
of her hip -
exhaustion dilutes her blood,
consciousness touches her golden
shoulder on his way out the door.
Literature
someone left their life on the bus
And you struggle with your conscience, but in the end you have to let it go.
Erase your face. Scratch it off. Dig your nails right up underneath your jaw, bury them, gouge it out. This familiarity; rip it off.
We grow here too fast, kids with fifty-year old eyes who talk like old women, who smoke and drink and work and wear sandpaper hands and swear like we know what fuck means before it makes sense. Here's skin and bone and lips and teeth, all the colours of mud. We're soil and dirt and layers of grime. We're filth. We grow stupid, stuck underneath a starless sky, staring up, pretending we remember what it was to be human. Everythin
Literature
Small Talk
It's dripping with logic and reason
the question you let gently drop
onto the table between us,
“So, tell me about your life.”
And I'm watching it carefully
telling myself it won't bite
it's more scared of me than I am
and I can capture it with glass.
And I can't rest the answer there
because it's bigger and scarier
and this one will bite will sink
will tear apart the careful stitches.
It's too big for this table
and I can't put it onto you
so it weighs heavy on my neck
and the silence stretches further.
Suggested Collections
This one sucks. There's a good number of lines that I like, but the beginning and end are far too choppy. I'm starting to notice that the ones I write on the fly (versus the ones I write in my notebook, rewrite, and then write again on the computer) always suck.
Oh well.
About: For my Camp NaNoWriMo project this month, I'm not trying for a word count--rather, I'm hoping to write thirty at-least-semi-coherent flash fictions with an at-least-semi-coherent common thread, collectively titled Cycles of Calm.
I plan on posting the more readable drafts to my account under a separate folder specifically for Camp NaNoWriMo. A few things of note:
All of these postings are drafts. I am allowing myself to break the golden rule of NaNo and edit my work as I go (including -gasp- deleting words), but I still consider them to be in a rough, unfinished state--as such, I am not looking for critique on my NaNo work. Hopefully, I'll be able to revisit each of my NaNo stories after the event ends and finish polishing them, in which case they will then be open to critique.
Why am I posting these if I consider them unfinished? Motivation, partially--a log of sorts for myself, and another way to hold myself accountable if I don't keep up with my goal. I'm also posting them in hopes that someone will find the contrasts between the drafts and the polished pieces interesting.
About Camp NaNoWriMo and NaNoWriMo
--
Day 7: Insomnia
Archive for Cycles of Calm
Oh well.
About: For my Camp NaNoWriMo project this month, I'm not trying for a word count--rather, I'm hoping to write thirty at-least-semi-coherent flash fictions with an at-least-semi-coherent common thread, collectively titled Cycles of Calm.
I plan on posting the more readable drafts to my account under a separate folder specifically for Camp NaNoWriMo. A few things of note:
All of these postings are drafts. I am allowing myself to break the golden rule of NaNo and edit my work as I go (including -gasp- deleting words), but I still consider them to be in a rough, unfinished state--as such, I am not looking for critique on my NaNo work. Hopefully, I'll be able to revisit each of my NaNo stories after the event ends and finish polishing them, in which case they will then be open to critique.
Why am I posting these if I consider them unfinished? Motivation, partially--a log of sorts for myself, and another way to hold myself accountable if I don't keep up with my goal. I'm also posting them in hopes that someone will find the contrasts between the drafts and the polished pieces interesting.
About Camp NaNoWriMo and NaNoWriMo
--
Day 7: Insomnia
Archive for Cycles of Calm
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Comments1
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i like it. it gave me a strange. sort of detached feeling sand i enjoyed the metaphors.